The Copyist
A seated clerk who dips his pen and writes, in a fair hand, the first Article of the Association.
1913 · RA.1913.2
Seattle Everett Zürich
The House receives keepers by appointment, Tuesday to Saturday
Forty-four pieces, 1911–1979
Pieces the house made for itself, to prove a point or to keep its makers at the bench, kept in working order at the House and shown on any visit. None is autonomous, and none has needed a license.
A seated clerk who dips his pen and writes, in a fair hand, the first Article of the Association.
1913 · RA.1913.2
A singing bird in a domed brass lantern, with three songs and a pause between them that visitors fill without meaning to.
1922 · RA.1922.4
A greyhound asleep on a velvet cushion at the foot of the main stair. It breathes, and when it dreams its forepaw twitches.
1931 · RA.1931.1
A woman at a typewriter who writes the house’s reply to every letter: that it will answer within the week.
1958 · RA.1958.3
The first Penfield instrument: a walnut cabinet with twelve registers, made by Eldon Rosen as the piece that elected him an Associate.
1979 · RA.1979.1
| Year | Piece | Accession |
|---|---|---|
| 1919 | The Draughtsman’s Cat, which washes | RA.1919.2 |
| 1925 | Mantel clock with a sleeping fox | RA.1925.3 |
| 1946 | Nightingale in a silver cage, for the reserve | RA.1946.2 |
| 1951 | The Chess Clerk, who resigns gracefully | RA.1951.1 |
| 1964 | A pair of hands at a piano, playing one hymn | RA.1964.4 |
The full catalog, with a record for every piece, is kept in the Archive and may be consulted by appointment. Pieces are not lent. Keepers of pieces made by the house for private clients before 1979 may write to the Archive for a heritage extract.
The house also keeps the studies it made on the way to its larger pieces. They are not part of the collection, which ends in 1979, the year of the first Penfield. One is shown: Nexus-1 study, finished in 1998 (RA.1998.1). The later Nexus studies are not shown.